This beautiful publication presents a collection of exquisite ancient bronzes from the Wadsworth Atheneum that were collected by John Pierpont Morgan. It accompanies a special exhibition of the bronzes at Bowdoin College. This fully illustrated catalogue presents highlights of the ancient bronzes that were collected by J. Pierpont Morgan and are currently in the collection of the Wadsworth Atheneum. Purchased between 1904 and 1916, the bronzes were given to the museum by Morgan's son in 1917. Morgan was a passionate collector and spent years of his life acquiring exquisite works of art. He had a discerning eye and discriminating taste, and his driving motivation was to find works of quality and beauty. His Greek and Roman bronzes include a range of figure and vessel types: males and females, gods and mortals, humans and animals and hybrid mythological creatures, free-standing statuettes, and furniture embellishments. This is the first exhibition and publication to consider the bronzes as a group. Morgan chose each work of art for its exquisite craftsmanship, its quality of composition and execution, and its preservation. These objects represent the very best of ancient Mediterranean bronze sculpture, with carefully rendered clothing, hair, and fur, and adorned with inlays of silver and other luxury materials. Showcasing different types of objects and figures that were made in bronze in the ancient world, this exhibition and book demonstrate the high level of quality that these works of art could achieve. The bronzes are important not only for their provenance and place in America's 'Gilded Age', but also as highly significant individual works of art that represent the best of ancient bronzeworking. New high-resolution photography of each work of art will allow readers to appreciate their intricate details of craftsmanship, including copper and silver inlay. This focused publication will also present current research on these exceptional objects to help readers better understand how they were made and what they represented in an ancient context.
Un voyage fascinant dans la culture camerounaise
Art of the Cameroon Grasslands nous offre, à travers la collection Weis, et grâce à des textes de Peter Weis et de Bettina von Lintig ainsi qu'à une contribution de Michael Oehrl un aperçu d'ensemble de la créativité artistique des Hautes Terres de l'Ouest camerounais. Une grande partie de la production des groupes ethniques qui y vivent se caractérise, à la différence d'autres régions d'Afrique, par sa diversité, son dynamisme, sa démesure, voire sa violence débridée. Certaines pièces, toutefois, irradient la quiétude et l'harmonie, offrant à qui les regarde un plaisir visuel peu commun. Des siècles durant, royaumes et gouvernants de cette région ont rivalisé, que ce soit à des fins culturelles, profanes ou de prestige, pour créer des oeuvres d'art, novatrices ou s'inscrivant au contraire dans la plus pure tradition, et qui reflètent de ce fait les structures du pouvoir et de la société - une question que les textes et les descriptifs du présent ouvrage traitent de façon détaillée.
La collection Weis couvre un large spectre d'objets, aux usages les plus divers. Elle inclut des objets du quotidien, ou relevant de l'art populaire, ou encore des objets rituels ou cultuels tels que figures magiques ou commémoratives, masques, poteaux, portes de palais, objets figuratifs, instruments de musique, pipes ou hanaps. L'introduction aborde, en les illustrant de nombreuses photos de terrain, d'importants aspects du développement culturel et artistique de chacune des régions d'origine des objets, y compris dans le contexte de la colonisation européenne. Le texte qui suit est consacré aux oeuvres d'art ornées de perles, sujet encore peu étudié à ce jour. Par ailleurs, les Hautes Terres de l'Ouest faisant partie d'une aire culturelle plus vaste, l'ouvrage présente également des objets provenant de groupes ethniques voisins, apportant un éclairage précieux sur des interactions et échanges artistiques pluriséculaires.
This rich collection of over twenty fully illustrated essays covers an array of medieval topics, with a particular emphasis on sculpture. The contributors, all friends and colleagues of the dedicatee, are prominent experts in their different fields, from the United Kingdom, Europe and the United States. The wide range of subjects covered includes ivories, wood carvings, alabaster, architectural sculpture, caskets, reliquaries, and questions of imagery and iconography. With a full scholarly apparatus, A Reservoir of Ideals is an invaluable work of reference.
The volume celebrates the museum career and scholarship of Paul Williamson, a scholar and curator whose outstanding contribution to art history continues to expand and inspire the study of sculpture in general and medieval art in particular.
Williamson joined the V&A in 1979 as one of the youngest curators ever appointed.
He took over as Chief Curator in 1989, and he was Director of the Collections from 2004-07, and Acting Deputy Director in 2013. During his 36-year career at the V&A he wrote 17 books and over 150 articles. Williamson's profound experience and expertise as a curator at the V&A have both enhanced his own well-deserved reputation as the leading expert in the study of European sculpture, and simultaneously enriched the standing and holdings of the collections themselves. The works acquired during his time at the V&A, and the gallery displays that he either oversaw or curated himself, amply demonstrate his tremendous range of knowledge and appreciation of art.
Despite his wide-ranging expertise and enthusiasm for the art of all periods, it seems fitting that this volume is devoted to medieval art, and primarily to sculpture - the works of art that undoubtedly lie closest to his heart. It is a testament to his standing at the pinnacle of medieval studies that so many leading experts have eagerly contributed to this exceptional collection.
